‘dreams of in-convenience’ (5)

single channel video with sound6 min excerpt from 22 min loop2011

‘dreams of in-convenience’ (3)

single channel video with sound3 min excerpt from 21 min 30 sec loop2011

‘dreams of in-convenience’ (2)

3-channel video with sound40 sec excerpt from a 5 min loop2011

‘dreams of inconvenience’, 2011

‘the adventures of p…. d..’ (work in progress)

this is the first in a series of animations centered around this shadow puppet, who is the visual manifestation of the artist, living in an alternate reality. the narratives are influenced by a mix of memories and dreams. conceptually, through this visualization of personal conflicts, the pieces address matters of childhood / girlhood / womanhood

Shrine Empire Gallery @ India Art Summit, New Delhi, Jan. 20 – 23, 2011

Artiger in Harper’s Bazaar, Indian Express, Hello Magazine and The Hindu, December 2010

ARTIGER @ New Delhi, December – March, 2010 – 2011

While much has been done towards saving the tiger, little had been done in the domain of art and how it could be employed towards doing its bit for the tiger. A recent visit to London and exposure to The Elephant Parade there, inspired the three of us, to see how we could aggregate some of India’s finest artists and inspire them to create The Tiger Trail here in India through an initiative called ARTIGER.
The response we got was overwhelming. Every gallery contacted, every artist requested, came forth and decided to pitch in pro bono. Which means 50 artists producing 50 life size fibre glass Royal Bengal Tigers. Each with the artists signature style.
Each of these tigers would be adopted by 50 of the leading corporates in the country. For a period of three months, they would be displayed in public spaces all over New Delhi, beginning December 2010. Post that they would belong to the corporate that adopted them. Every corporate will be given a tiger based on a lucky draw to prevent any artist biases to come into play.
Aparajita Jain, runs Seven Arts, a cutting-edge gallery that showcases the finest of global contemporary art. She lives in New Delhi with her husband and two children.
Nandita Baig, works in the Development sector. She is on the Founding board of Youthreach an NGO based in Delhi and also works with Umeed an NGO based in Punjab. She lives in New Delhi with her husband and two children.
Swapan Seth runs Equus Red Cell, an advertising firm. He lives in Gurgaon with his wife and two children.

‘You can’t hang this’ – livemint.com, Nov. 12, 2010

‘Starting from Scratch’ – Business Times, India, November 14, 2010

SCRATCH, Sakshi Gallery’s 25th Anniversary Show – curated by Swapan Seth, @ Lalit Kala Academy, New Delhi, Nov. 12 -19, 2010

Sakshi Gallery is celebrating its 25th year by presenting landmark exhibitions all over the country. This November it brings to New Delhi, an international exhibition of contemporary art called SCRATCH, curated by a notable collector Swapan Seth at the Lalit Kala Akademi. This is a special event since this is the first time that an exhibition of contemporary art of this nature is being presented by the private sector outside the paradigms of government aided organizations like the NGMA.

The gallery kicked off its celebrations with ROOTS, an exhibition in Chennai that featured some of the best works from the gallery collection, which represented the last two decades of art in India. The responses generated from the show were stupendous and resulted in the show travelling to Bangalore.

SCRATCH is an international exhibition that bears the essence of today’s global cultural phenomena by showcasing recent art from India and different parts of the world through a unique compilation that has been carefully chosen by Swapan Seth. Swapan’s penchant for collecting art and his specialized interest in new media and video art has been a defining factor for inviting him to curate this exhibition. Taking a cue from Ed Ruscha’s statement “If it makes you scratch your head, it is art”, Swapan conceptualized this show to encompass some of the most cutting-edge examples of contemporary art today. Centered around the immediate history of the decade that we’ve just lived through, SCRATCH is mainly comprised of a new generation of New Media artists from India, Taiwan, Japan, Thailand, Indonesia, USA, Nigeria and Cuba, making it a truly international exhibition of contemporary art in the heart of New Delhi. Artists in this exhibition include Priti Kahar, Kartik Sood, Siddhartha Kararwal, Mithu Sen, Hemali Bhuta, Neha Choksi, Rohini Devasher, Sarnath Banerjee, Anindita Dutta, Isa Ho, Jompet, Navin Rawanchaikul, N. S. Harsha, Rashmi Kaleka, Saffa Erruas, Sunil Gawde, Ucche Iroha, Chang Keng Hau, Chang Geng Hwa, Chen Shun Shu, Jorge Mayet, Nenna Okore, Noriko Yamaguchi, Wang Fujui, Wu Chi-Tsung, Asim Waqf, Sarvanan, Akshay Rathore, Vijai Patchineelam, Priyanka Dasgupta and Suchitra Gahlot.

‘obscure, forget.’, 2010

more about "obscure, forget.", posted with vodpod

single channel video with sound

As the falling snow slowly shrouds the fallen insect, eventually completely obscuring it from our view, ‘obscure forget’ quietly reminds us of all that we so easily forget, or take for granted, in the face of the next new ‘trend’, ‘upgrade’ or ‘distraction’.

‘a confession for oscar’, 2010

2′ 30″ excerpt

more about "‘a confession for oscar’, 2010", posted with vodpod


A single channel video with sound, ‘a confession for oscar’ is a quiet, intimate, personal exchange between two complete strangers… a simple interaction not burdened by the baggage of knowledge, the fear of judgement or rejection, or the confines of reality. The work questions why it seems effortless, even cathartic, to confess our secrets to complete strangers while so strained to even speak with those closest to us.

‘not ungrateful, just planning ahead’, 2009

4′ 30″ excerpt

an installation with video and photography – a collaboration between karla carballar and priyanka dasgupta

‘nichod’, 2009

: to extract painfully by twisting or squeezing; to wring; to separate with effort from something unwilling; to extricate

more about "nichod", posted with vodpod

a silent, single channel video

‘good girls cross their legs’, 2009

2′ of seamless loop

more about "good girls cross their legs", posted with vodpod

good girls cross their legs playfully comments upon the hypocrisy that lies at the core of societal expectations and moral codes, where ‘good girls’ are expected ‘to cross their legs’, while desire, contrarily, stems from what is hidden. The audio in the work is adapted from a passage in Nabokov’s ‘Lolita’, and heightens this contradiction between what is desired and what is concealed. 2-channel video installation with sound. dimensions variable.

‘an abbreviated account of desire and death’, 2009

4’31″ of 6’02″ looped

more about “an abbreviated account of desire and …“, posted with vodpod

’4077′, 2008

4’19″ of a seamless loop

more about “4077 “, posted with vodpod
’4077′, titled after the four thousand seventy seventh person that died in Iraq during the war, visualizes a very personal, intimate struggle for survival. This is a single channel video meant for large-scale projection.

‘S. O. S.’, 2008

46″ of 11, 46″ intervals

more about “S. O. S. “, posted with vodpod
‘S.O.S.’ is at once comical and painful. The increasing volume of the S.O.S. signal at each interval, heightens the panic and desperation of the dying mosquito.This is a single channel video meant to be viewed on a small monitor or as a small projection, with headphones.

‘We All Fall Down’, 2008

3’1″ of 6’40″

more about “We All Fall Down “, posted with vodpod
‘We All Fall Down’ is a quiet, poetic meditation on everyday struggles and our earnest, almost desperate attempts to be better than, unique or special in some way, when ironically, the one truth is that eventually, ‘we all fall down’. Like the nursery rhyme evoked in the title, the video reminds us of the careless, indiscriminating nature of death.’We All Fall Down’ is a single-channel video installation, meant for projection.
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